Friday, 29 October 2010

Research - Costumes



Costumes are very important in horrors as they add to the scene and also define a character within the movie e.g.


Freddy Kruger a badly burned character that uses knifes as fingers is distinctive and can be immedately assocated as a villain.


Costumes also aid by hiding individuals identities which are very important because it adds mystery to the whole movie.  Without costumes certain movies like 'Scream' would be forgettable and have no unique selling point.  



For our trailer we have decided to use everyday life costumes such as typical clothing etc to make it seem realistic. 



Research - Looking at past projects

My group and I went on and looked for past projects so that we can gain ideas and also different techniques and methods of filming and directing. The main hightlighting factor about the  trailers are that they are short but have a lot going on within them.  For example the fake blood shots, the different camera shots etc






Wednesday, 27 October 2010

Research - Mise en scene

Mise en scene is very important when considering any type of filming because it consist of using four main elements different camera shots, various types of editing, different conventions of sound and lastly the use of lighting, props etc.  All of these factors are very important when considering film etc. That is often why you see a news report crew with these objects below. 



 They are very important because they capture the best sounds using high end mics and best video quality using top line video cameras.  you would usually see a group like this above working as a news film crew.  Below is a video showing how they actually use the equipment even though it is in a humours manner.


 

The video below demonstrates what mise en scene is and how you apply it.  I like it because it was refreshing and reminded me of some of the concepts that were long forgotten.


Focusing on my groups project mise en scene is very important e.g. the lighting of the time of day.  Prefebably horrors are meant to be shot in the nighttime were objects and people come across as mysterious,  the main problem with this is was how are we going to lighting.  The positive thing is that street lights can sometimes have the best lighting and secondky they can also aid in creating a realistic effect.  The only negative problem Is that it often means relocating to find an area with better lighting. Below is a video that benefitted my group by showing us how to film with the night sky,  using electronic tricks etc.




Friday, 22 October 2010

Research Props

Props are extremely important in horrors be it the teddy that the baby drops or be it the knife that is used to kill off the college kids props are used in every single horror.  For example in the 80s/90s character Chucky he is a childs doll tha kills off his victis using a basic kitchen knife.


 

My group and I have been working on various concepts and with that we have been thinking of what is suitable and what is needed.  We looked at various websites from the horror party shop.


This website was appealing because it was cheap and also had what we were looking for.  This is mainly because our film trailer is not going to have a lot of drama to the extent of using vampire fangs or props of that nature.  Our trailer is going to include gore more than anything. The next website we looked at was party kiosk. 


 


We looked at this website and found that it was to expensive and had unnesscessary equipment that was not going to benefit our film trailer, e.g. the prop in the image above.  

My group and I have looked at various websites and we have decided on two prop shops and we feel they are cheap and also have excactly what we are looking for... the blood and gore.





Monday, 18 October 2010

Research stock characters in Slasher Horror

Stock characters are characters that you expect to see within a certain genre movie,  for example with romantic movies you would expect mans best friend and females best friend and they usually orientate the main relationship around them when they have hardships. I am going to be discussing the stock characters within slasher horror. 

The Wander 

There is always a wander in horror movies that causes the killer to kill off the victims one by one.  The stock character would often say the typical phrase 'let's spilt up' and one by one they begin to get killed off.  For example in the movie Freddy vs Jason the death of the character Kia.
The Popular Girl
The popular girl is usually smart, stuck up and extremely two faced, they are pro-dominantly hated but but have a lot of respect because of there wealth.  Below is a slide show showing all types of images of various popular girls within the horror category.









The Jock

The jock is often the popular male in the horror movies.  He is the captin of a sport often American football or soccer and he is known as one of the best.  The jock is also known for his image which appeals to many. Below is a picture slide show of some of the Jocks within different horror movies.

Apart from just being the popular good looking characters they are also often used as the killers and this is very smart because they are the closet to the victims and given a lot of respect so it is definietly not expect from them.  Below is part of the movie my bloody valetine which reveals the killer.


                   The Final Girl

The final girl in horrors is code for the pretty who survives.  This is very common within horrors e.g. Scream one, two and three.  The final girl witnesses the murders but lives to tell the story.  Below is a video from a horror of a final girl.


Pandora

The pandora is a part of the movie were something  that is important gets discovered e.g. the killer or the reason why are certain things are occuring. Every horror has this because its the reason why the killer goes on his spree. Below is the trailer of the movie 'A Nightmare on Elm Street' and it rveals why the popular killer Freddy Kruger kills.




The Pervert

The pervert in horrors is the almost always a man that wants to sleep with the girls and will do anything to get in bed with them. They often die aorund the start of the movie and this is oftenly because they are to busy trying to have sex rather than being aware of whats going on around them.  Below is link to a scene from the movie 'House of wax', it demonstrates the given definition.

Getting Frisky - House of Wax


Saturday, 16 October 2010

Research for My Groups horror film trailer - Location

The location of the film trailer is extremly important becasue it differenaites the mood and motive of the whole production.  Another important key fact is that with location it is difficult to alter certain factors e.g. light of the day and the weather.  These are some of the main factors that can have an affect on the production as a whole.  

 
e.g. the rain 


Having conducted a strong analysis of my plot I fully understand what is expected  and wanted of my group.  We are planning to shot in a lot of places most likely being around La Swap like Hampstead heath for example...

 

The main reason why my group chose to do a few of our shots here is because we feel hampstead heath has a lot to offer and we will have a feild day getting the various shots.  We also felt as a group that at night time this will be a perfect location.  Another area that we plan to shot on around the heath is the hampstead heath running track. 



 
The reason for putting this image of Hampstead heaths running track is mainly due to the fact our group plan on shooting some impressive shots around hear.


Another that we wanted to shoot at was Regents Canal and this was mainly because at night time it will the perfect place to shoot for the more privatised imtimate shots.


Another image that I going to use is a picture of an alley way withing Camden.  This is mainly because an important scene is going to be shot hear. 

 

Location is extremely important because it allows us the viewers to be presented with different atmospheres.  Atmospheres can also have a strong effect on creating strong valid emotions and also creating certain events.

Tuesday, 12 October 2010

Horror Iconography and Ideology






What visual and written codes are being used? 
The visual codes being used immediately reference the horror genre.  By the us the viewers being able to see something so horrific as a mouth with no teeth and also the added detail to the design immediately rings the alarm for the horror genre. Another image reference to the horror genre is the level of detail for instance the dirt in the characters nose in the image.  The middle image colour code does not really make a reference to the horror genre but I believe this was due to the difference in the time period.  I mention this because in other time periods technology was not so advanced as it was now so this could of had a major effect on how the movie poster ended up looking.  The third poster on the other hand 'screams' horror and this is due to the use of the colour red and also the demonic type of creatures used on the top surface, only the horror genre could be this extreme with their posters. 

The written codes have a ghostly effect that is another specific formula of the genre. The name of the the movie 'Saw'  is also placed in between the disfigured victims mouth which references the movie back to the horror genre. In the the third poster there are many references to horror for example the type of drippy blood type of font and also the use of red on the font.

What information do they provide about the films? 

The codes given provide us that the films are there to scare us the viewers and mainly that they are of the horror genre. The also provide details of the sort of activity that will be occurring within the film e.g. in the Dracula film posters we are shown the infamous sharp canines.  With the saw movie we are shown the disturbing image of the character with no teeth and that can be a reference to many things but it appears to mainly be about suffering.

What other information might you have expected but is missing?

The information that I might of expected from the first poster is probably just a reference to the blood but apart from that I believe that it is scary enough it also provides us with a date that makes a reference to the characters teeth ... opening wide this halloween.  I believe that this is genius and also a smart way of getting the best out of the film by inter linking the everything together. For the second poster I would have used a much more bloody font that has a stronger reference to horror like the third poster did.  As mentioned I believe this is due to the time period, in the 30s I believe what was marketable at that time is not at the current moment. For the third poster I would have expected nothing and this is mainly because it represents a horror in a smart and unusual way e.g. the way they put Dracula into a gale stone.  The actors are mentioned because sometimes you have iconic actors for a certain genre e.g. action movies... Arnold Schwarzenegger.  The text used for the third horror was also suitable fr the genre because it is something that you would expect within a horror poster.

In what ways do these posters create a sense of enigma?

These posters create a sense of enigma because they could represent anything.  e.g with the first poster it could be a really scary name for a dental patients bad experiences.  when it comes to posters for movies you can never determine the full facts without looking at the film trailer. The second poster for example could be about a science experiment or a cartoon. Lastly the third could be about something demonic that has no association to the vampire or Dracula category. The negative factor of film posters is that they could represent many things and without a detailed analysis this can be misread.

How are the film producers trying to create a sense of danger and equilibrium?

The film producers are trying to create a sense of danger and equilibrium by providing us with realistic situations that we never expected to be in and expands our expectations and views thus effecting our mental state.  The producers also try to create a sense of danger by exposing us to unexpected events or murders e.g. in sorority row


 

we are given many instances were people die and were people are killed with realistic object in realistic situations that make you feel physically unsafe.

What genre do these films belong to?

These films belong to the horror genre and this is represented through font, image and mise en scene.

What are the generic conventions that are at work in these posters?

The generic conventions that are at work are the use of the colour red which is often used to represent the colour of blood.  Another generic convention that is used is the use of gore e.g. in the saw movie poster it makes a strong reference to horror.  Another strong reference to the horror genre is the use of the vampire teeth,  I say this because you only see vampire teeth within a horror movie.

What differing representations of 'the other' or 'the monster' do they present? 

In 'Saw' the movie is about wrong doers who do not appreciate life and they are suffering for what they have done to others e.g. committing crimes etc.  Both of the Dracula's are very different from the modern aspect.  This is because over time Dracula's image has changed drasticly. Within these two posters Dracula is presented to us as green similar to the hulk of the modern generation and then in the third poster dracula is presented to us in a stone manner that resembles a demon not the stereotypical cape and jet black haired Dracula.

Sunday, 10 October 2010

Horror Plot Synopsis Analysis

For this task I am going to be conducting (breaking down) an analysis of three horror plot synopsises.  This is to aid me in my groups own production when we create are short horror film trailer.  Below is a key and this is to colour code highlight certain points of the synopsis.


00  - Protagonist

00 -  Stock characters

00 -  Plots and Stock Situations

00 -  Backgrounds & Decor

00 -  Themes



The first horror movie synopsis I have chosen to analyse is the Exorcist.

Father Lankester Merrin (Max Von Sydow) is an elderly Catholic priest on an archeological dig in Iraq. Merrin has a sense of foreboding and encounters a number of strange omens, including the unearthing of a series of confusing items, a near miss with a runaway horse drawn carriage, and a clock that stops ticking in mid-stroke. Finally, Merrin discovers a statue of a bizarre demonic figure; although the film does not mention it, it is a representation of a demonic figure known as Pazuzu.

Back in the United States, in Washington D.C.'s upscale Georgetown neighborhood, a successful actress named Chris McNeil (Ellen Burstyn) begins experiencing strange phenomena. Chris lives with her twelve-year-old daughter Regan (Linda Blair), her personal assistant Sharon (Kitty Wynn), and two housekeepers. Regan's father is estranged for reasons unknown. There are mysterious, unexplained sounds in the attic of the house, which Chris attributes to rats. Regan slowly begins to exhibit strange behavior, undergoing behavioral changes much like depression and anxiety. She turns up in Chris's bed one night, complaining that her own bed was "shaking".

Chris is working on a new movie in Georgetown with a director known as Burke Dennings (Jack MacGowran). While filming a scene one day, she notices a young Catholic priest watching her; his name is Damien Karras (Jason Miller). Father Karras has a background in psychology and counsels parishoners at a nearby church; Chris also notices him while walking home from the shoot one day.

Karras is a thoughtful, conflicted man. He discusses his vocation with a superior and asks to be transferred because he feels he is losing his faith. He also has an elderly mother who lives alone in a slum in New York; he visits her and is reminded of how lonely her life is, and he feels guilty that she has to live in such poor surroundings.

The strange occurrences in the McNeil house begin to increase. Regan reveals that she has been playing with a Ouija board and claims that she has the ability to communicate with a spiritual entity all by herself. A nearby Catholic church is desecrated, a statue of the Virgin Mary painted crudely and adorned with conical clay additions made to resemble breasts and a penis. Regan also works with clay and paint, making small animal sculptures.

Meanwhile, Father Karras's mother falls ill and, due to a lack of funds, she is placed in a very shabby hospital and resigned to a ward full of mental patients. Father Karras is distraught when he visits her and she seems to blame him for her situation. Later, she passes away under these conditions, adding to his sorrow.

Chris has an elaborate party at her home with a number of affluent guests. One of her guests is another Jesuit named Father Dyer (Rev. William O'Malley), and Chris asks him about Karras, having noticed him and referring to him as "intense". She finds that Karras and Dyer are good friends. During the party, Regan appears happy and social, but she reappears after being sent to bed, dressed in her nightgown and urinates on the carpet in front of the guests while making an ominous statement to a prominent astronaut ("You're gonna die up there"). After the guests leave, Chris bathes Regan and puts her to bed, but is startled by a loud sound from Regan's bedroom. She rushes back down the hall and discovers Regan's bed shaking violently, rising up off the floor with Regan on it. Chris jumps on the bed and it still levitates.

Chris subjects Regan to a series of medical tests to discover what the problem is. The doctors are unable to discover anything, despite putting Regan through some grueling, painful procedures. The best they can come up with is that Regan may have a lesion on her brain, but ultimately they are frustrated when nothing appears on her brain scan. At Chris's house, Regan suffers was appears to be a seizure, and two doctors visit to assist. They find her rising and falling up and down on the bed in a way that seems impossible for a human being. When they try to sedate her, she hurls them across the room with abnormal strength, speaking to them in what seems to be a male voice: "Keep away! The sow is mine!" Eventually they sedate her.

Out of options, they advise Chris to search for a psychiatrist, but they also reluctantly discuss another possibility: they mention the phenomenon of demonic possession and the rite of exorcism. While they seem to hold professional contempt for it, they do admit that it has been known to solve problems such as what Regan is going through. Chris is skeptical, having no real religious affiliation of her own.

The situation worsens when Chris is out one evening; she returns to find the house deserted except for Regan, who is alone in her bedroom and appears to be in deep sleep. The bedroom is freezing cold, the window standing wide open, and she is uncovered. Sharon returns and Chris is furious with her for leaving Regan unattended, but Sharon explains that she left Regan in the care of Burke, who was visiting the house, while she went to the pharmacy to get Regan's medication. Burke's absence is unexplained until the doorbell rings and an associate of Chris's breaks the news that Burke has just died on the steps outside Chris's house.

Shortly after this, Chris is visited by a kindly detective named Kinderman (Lee J. Cobb), who seems suspicious of Burke's death. He questions Chris about the events of that evening, and Chris is nervous, hesitant to tell him about Regan's problem. While he is visiting, he notices a few small animal figures that Regan has crafted; they are similar in style to the desecration of the statue in the church. Kinderman leaves and immediately a violent disturbance comes from Regan's bedroom. Chris hears a deep male voice bellowing at Regan to "do it", and Regan screaming in protest. In the bedroom, Chris finds Regan plunging a crucifix violently into her vagina. When Chris tries to stop her, Regan assaults her with impossible strength, and furniture around the room starts to move on its own. As Chris watches in horror, her daughter's head turns completely around backwards, and she speaks to Chris in Burke's voice, saying to her "Do you know what she did? Your cunting daughter??" Chris then realizes that Regan is responsible for Burke's death.

Desperate, Chris arranges to meet with Father Karras, and when she mentions the notion of exorcism, Karras is almost amused. He tells her that exorcism is nearly unheard of, and that he doesn't know anybody who has ever performed one. Chris is distraught and convinces him to meet with Regan anyway. Karras is shocked by the girl's appearance; she is tied to the headboard of her bed, her face misshapen and covered in lesions, her voice deep and gravelly. Regan announces that she's the devil, and toys with Karras in a number of ways, seeming to make a drawer next to the bed open all by itself, then speaking to Karras in a number of languages. She also conjures up the voice of a subway vagrant that Karras has encountered alone earlier. Karras remains unconvinced, and when Regan claims "Your mother's in here with us", Karras asks her what his mother's maiden name is. Unable to answer, Regan vomits spectacularly all over him.

Chris cleans Karras's sweater and discusses Regan with him. Karras is still not convinced that Regan is possessed, especially because Regan says she's "the devil", and he recommends psychiatric care for her. Chris pleads with him to help her obtain an exorcism, swearing that the "thing" in the bed upstairs is not her daughter.

While Karras thinks it over, he is approached by Kinderman, who questions him about the fact that the desecration of the church could be connected to Burke's death; what he was unable to tell Chris was that Burke's body was found with his head turned completely around backwards, and the police department considers it a homicide. Kinderman knows that Karras suspects something unusual about the McNeil house, but his confidentiality as a priest prevents him from discussing it with Kinderman.

Karras visits Regan again and records their conversation, during which he sprinkles Regan with water. He tells her it is holy water and she begins to writhe in pain, seemingly going into a trance and speaking in a strange language. Later he tells Chris that it will be difficult to make a case with the Bishop for possession; the water he sprinkled on Regan was simply tap water, and was not blessed. The Bishop, and Karras himself, would consider Regan to be mentally ill and not possessed. Chris confides in Karras and tells him that Regan was the one who killed Burke Dennings. Later, Karras uses his tape recordings of Regan's seemingly incomprehensible babble to discover that she is really speaking backwards, in English. A phone call from Sharon interrupts him; she summons him to the house to see Regan, not wanting Chris to see that's happening: as they look at Regan's unconscious body, the words "help me" begin to materialize on her stomach, rising up in her skin like scar tissue.

Karras reluctantly agrees to try and get an exorcism for Regan, although he seems to have more in common with the doctors who recommended it as a form of shock therapy. The church calls in Father Merrin to perform the exorcism, with Karras assisting. Merrin has performed exorcisms in the past, including a difficult one that "nearly killed him", according to the Bishop. When Merrin arrives at the McNeil house, Regan bellows his name from upstairs, as if she knows him, and she makes strange animal sounds. He warns Karras about conversing with the demon, and reminds him that the demon will mix lies with the truth to confuse and attack them.

When they enter Regan's bedroom, she immediately begins with a string of obscenities. Merrin and Karras recite the ritual of exorcism and Regan manifests strange phenomena such as levitation, telekinesis, an abnormally long tongue, and strange vomiting. She constantly curses the priests and emits evil laughter and verbal abuse. Regan begins to talk to Karras in the voice of his mother, and he starts to break down. Merrin sends him away; when he returns, he finds Merrin dead on the floor, the victim of a heart attack. Regan cackles gleefully, infuriating Karras, who grabs her and shouts at the demon, "Come into me! Take me!" The transference works almost immediately; Karras begins to transform and Regan returns to her normal self. Before Karras can harm her, his "normal" personality breaks through for a split second and he commits suicide, hurling himself out Regan's window. Just as Burke did, he tumbles down the stairs outside Regan's window and lays dying in the street below. By chance, Father Dyer happens upon the scene and administers the last rites to his friend.

In a brief epilogue, we see Chris and Regan as they prepare to leave the house in Georgetown. They are visited by Father Dyer. Chris speaks with him privately and tells him that Regan doesn't remember anything about the possession or the exorcism. Regan then appears and greets him cheerfully, transfixed by Father Dyer's white collar. Before they leave, she suddenly hugs Father Dyer and kisses him. As Chris pulls away in their car, she orders the driver to stop for a moment and gives Father Dyer the religious medallion that belonged to Father Karras; in their struggle, Regan had torn it from his body and it was in her bedroom all along.